I am my biggest critic, so I am replacing frustration with
what I can’t do or what’s not perfect with reassurances of the progress I’ve
made or the lessons I’ve learnt, and it’s already given me a much more positive
outlook on my work. I lack understanding in software other than Photoshop so I
intend on experimenting with them, and using my team and communication skills I
will be able to consume knowledge from my peers and tutors; as well as online
tutorials. Another weakness is my animation so I’m going to work through the
Animator’s Survival Guide and possibly try my hand at some old Loop de Loop themes-
small, frequent projects should hopefully show progress! I hope to take hold of
more opportunities in the near future- volunteering at industry relevant events,
any online briefs/ tutorials such as Animated Buzz. I am also lucky to live
down South which is a hive for animation so hopefully in the future I can find
studio visits, but for now I will continue to immerse myself within the galleries
and museums in London for drawing practice and inspiration. To maintain my
current strengths: (resilience) I will employ these strategies and (character/
background design) explore other styles and software, do art studies, focus on
some figure drawings, participate in drawing challenges so my art doesn’t
become stagnant with University specific work and continue to keep my online
presence alive.
Tuesday, 19 December 2017
Monday, 18 December 2017
Lecture 3 : The Creative Industries
Found resources that reflect my interests in my chosen field of work:
https://www.nesta.org.uk/project/digital-arts-and-culture-accelerator
: Support for projects from the Digital R&D Fund.
https://www.nesta.org.uk/project/arts-and-heritage-matched-crowdfunding-pilot
: The potentials of crowd funding.
https://www.nesta.org.uk/project/creative-enterprise-programme:
Supporting individual businesses.
https://www.nesta.org.uk/project/innovative-spaces
: How environment affects creativity.
https://www.nesta.org.uk/quiz/will-robot-take-my-job
: Low probability of automation- that’s a relief!
https://creativeconomy.britishcouncil.org/projects/hubs/
: Creative hubs
https://creativeconomy.britishcouncil.org/projects/altbarbican/
: OPPORTUNITY for support from The Barbican and The Trampery – DEADLINE 19
MARCH.
https://creativeconomy.britishcouncil.org/projects/altcity-cdmx-chameleon/
: 360 exploration and VR.
https://creativeconomy.britishcouncil.org/blog/17/11/16/open-call-indonesia-residency/
: Indonesia Residency Open Call
https://creativeconomy.britishcouncil.org/resources/
: Access to research, tool kits and guides relevant to the creative industry.
http://creativeskillset.org/creative_industries/animation/about_the_industry
: Numerical breakdown of the industry- Very eye opening! And encouraging!
http://creativeskillset.org/creative_industries/animation/real_life_stories/4404_luke_youngman
: This stood out to me because I have attended masterclasses on Nexus studios
at Manchester Animation Festival.
http://creativeskillset.org/creative_industries/animation/ways_into_the_industry/advice_from_animation_employers
: Careers advice from industry professionals.
http://creativeskillset.org/who_we_help/creative_professionals/freelance_toolkit
: A toolkit in learning how to go freelance!
http://creativeskillset.org/creative_industries/animation/useful_links
: Further links to animation related websites.
https://www.designcouncil.org.uk/what-we-do/research/designing-future-economy
: Design skills in the economy.
https://www.designcouncil.org.uk/what-we-do/design-training-and-education/design-academy
: Design education and skills for undergraduates.
https://www.designcouncil.org.uk/what-we-do/social-innovation/community-led-design-development
: Community involvement in design.
https://www.designcouncil.org.uk/what-we-do/accelerator/design-council-spark
: Design Council Spark Funding Programme.
https://www.designcouncil.org.uk/news-opinion/how-do-we-define-design-skills
: Defining design skills.
Sunday, 3 December 2017
M.A.F.: Day 3
Manchester Animation Festival 2017
Last but not least...
Laymun, trailer: https://vimeo.com/224060740. This had such beautiful paper work animation, using a medium to create a visually beautiful film. The simple material did not take from the strong message, in fact I think it made more room for the tale of violence to be told so sensitively. Maybe the choice of paper was used to reflect the fragility of that existence.
The Ogre: I loved this film, there is a crescendo in narrative and the characters are expressed through different shapes, whilst having their different style in movement to set them apart.
Life Cycles: https://vimeo.com/183658165.
I found this to be so thought provoking, without being preachy with the subject matter. I love the raw traditional style and creative camera work. Will we ever break the cycle to change these events?
Saturday, 2 December 2017
M.A.F: Day 2
Manchester Animation Festival 2017
Day 2 Highlights...
Grandpa Walrus: https://www.youtube.com/watch?v=PDvNPvt33QE
Nothing to Declare: https://vimeo.com/209201150. This animation. was. shocking. In the best way possible. The visuals, the details were amazing, it had an unusual aesthetic which just made the story even more harrowing.
Hungry Chameleon: http://digg.com/video/common-chameleon-animation
Masterclass: Nexus
This was one of my favourite moments of the festival, it really opened by eyes to all the different options in animation- VR and AR alike. It is always important for me to be reminded to take off my blinders and not reduce myself to one thing, plus a talk from a woman in the industry is always inspiring because it's easy to get bogged down in a male driven industry.
The Big Bad Fox and Other Tales, trailer:https://www.youtube.com/watch?v=x3QkSzpNGW8
Masterclass: Loving Vincent
This was incredible! Hearing the back story to the making of the film was so special, to see this passion project come alive despite the directors overcoming adversity. The time that not only went into the animation itself, but the preparation is outstanding. They retold his story using his letters, and fit Van Gogh's paintings to the narrative. 1 second of animation took 2 weeks, and the opening shot would've taken 18 months if they hadn't split it between 3 artists. 100+ artists, 3 locations, 65000 individual frames spanning Dover to Dunkirk. For there to be a flood in their space and the only things to survive to be the paintings, wow.
Loving Vincent: Film: Breathtaking!
Friday, 1 December 2017
M.A.F: Day 1
Manchester Animation Festival 2017
A look back at some stand out films from day one.
Green Bird, trailer: https://vimeo.com/236495825, the music is somewhat hypnotizing, the narrative was fresh and hilarious with incredible visuals assisted but great comedic timing. A must watch, and a reminder that animation doesn't have to have the normal narrative arch, a human love story or moral resolution.
Penelope, trailer: https://vimeo.com/200580807. This is not a style I ever work again, but it really showed me how different styles can be used to enforce a narrative, the messy handdrawn style serves to emphasise the chaos in the story, made the crude graphics more light hearted leading to a surprising but enjoyable watch.
A still from 'Liv' |
Liv is terminally ill and decides to go back to her roots to live out the rest of her life in the wild, alongside man's best friend.
It is such an emotional story, the beautiful visuals and landscapes create an ethereal atmosphere. Especially as a graduate film, (Bournemouth Arts) simply stunning.
Twin Islands https://www.youtube.com/watch?v=5m1zU8rYoKM How is this a student film!? A tale of two twins trying to maintaining perfection in double, the character design and environment design is incredible, a unique story and memorable animation!
The World of Tomorrow Double Bill, trailer: https://vimeo.com/ondemand/worldoftomorrow.
This film is not the style I work in and I think that's maybe why I loved it so much, the simplicity and geometric shapes could still be used in such a mammoth way in the changing times and worlds. I found the first half the most enchanting but the narrative between Emily and her clones was so surreal, funny and original.
MasterClass: The Breadwinner
This was such an amazing, eye opening talk! It's always interesting to hear the ground work that goes into a film because it's so important but often goes unheard of- to know that time and research went into ensuring an understanding of cultural context and sensitivity with the help of Angelina Jolie is very assuring. It was fascinating to see how the accent coach had to assist the actors to ensure their voices all came from the same region was incredible to see and not something I would've considered a big part of it. It's amazing to see animations of culturally diverse nature and being of mixed heritage it is something of great interest to me. In regards to my personal practice and interest in backgrounds, this animation was nothing less than inspiring- the level of quality is something I will always aspire too, the number of iterations, the layouts...
Tuesday, 21 November 2017
Study Task 5: Social Media Pro
My current social media accounts include:
Pinterest - I often use for inspirational images, reference photos for character poses or outfits and to create a body of work I can refer to when I have a creative block.
YouTube - I do not upload to YT, I use it mainly to watch documentaries (not specific to my practice) but also to follow some of my favourite artists. I've found that I particularly enjoy videos by illustrators and being able to watch their process, returning to these videos for a creative morale boost when I'm doing my own work. After this I have found a real interest in watercolour.
Snapchat - I use personally
Twitter, Facebook - Mainly I use these personally, but I do follow accounts of illustrators, animators or forums (on Facebook) where I can keep up with their work.
Instagram - I hold one personal account and one which I use as a platform for my work. The art based Instagram has become my favourite social media platform as there is always an influx of work to be influenced and inspired by. I often archive work which creates a moodboard, somewhat like Pinterest, of images that are relevant to my practice.
My plan was to start @wayl_ofatime on Instagram over summer which I successfully , and have made a dozen posts since but I definitely plan to post more so, hopefully weekly!.. And a mix of university work and personal work.
Study Task 4: Networking
Recognised Networking opportunities:
·
Manchester Animation Festival
·
Aesthetica
·
London Animation Club
·
Leeds International Film Festival
·
Leeds Young Film Festival
·
Animated Buzz
·
GAMAYO
·
Hiive
·
Instagram
·
Loopdeloop
'Eloise Wayling' on LinkedIn
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